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Download The My Son Full Movie Italian Dubbed In Torrent

Passions erupt in the lava beds of the Canary Islands.This movie feels a little like those dubbed Spanish and Italian dramas of the 60's although it is entirely in English.However as the story unfolds it defies you to stop watching and features a cast that is hard to take your eyes off.When Jonas (Robert Walker Jr.) arrives at an isolated gas station on the road to Salina, the owner Mara (Rita Hayworth) greets him as Rocky, her long lost son. At first he thinks she is an empanadas short of a picnic, but when her daughter, Billie (Mimsy Farmer), and her neighbour, Warren (Ed Begley), also accept him as Rocky, he decides he is on to a good thing - especially as his newfound sister comes with 'benefits'. However the new Rocky finds the road to Salina a bit too rocky as he and 'sis' explore taboo territory amidst the spectacularly barren landscape of the island.Rita Hayworth was an amazing screen presence throughout her career. She was about 50 here but still striking looking. Sadly she was already experiencing the problems that beset her at the end of her life. One wonders if acting the part of a woman with mental problems was such a good idea for someone who was really experiencing them.A few years before, John Wayne and his crew thought she was rude and insufferable while working on "Circus World". Apparently "Road to Salina" was a happier experience and she got on well with the crew.Still it was hard for anyone in the film to compete with Mimsy Farmer. Her Billie is about the most uninhibited performance in a mainstream movie until Nastassja Kinski prowled her way through 1982's "Cat People".Eventually, Mimsy also shed her film career, emerging as a truly impressive sculptor. Maybe it shouldn't come as a surprise when an actor's creativity shows in other areas of the arts. Many actors have drawn, painted or sculpted well: Gary Cooper, Gail Russell, George Montgomery, Dennis Hopper and Lucy Liu among many others - even Marilyn Monroe."Road to Salina" used to turn up on TV in the 1970's, and seems to have a bit of a cult following these days. It's worth seeking out just for the stars alone.

Download the My Son full movie italian dubbed in torrent

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Following on from his "zombie invasion" trilogy, Fulci returned to the realm of the undead in THE HOUSE BY THE CEMETERY, a slightly disappointing movie considering how much I love the first three. Although not without its moments, HOUSE is let down by a very slow pacing which is unlike Fulci in his prime, and the usual problems with cheap Italian movies: bad dubbing, acting, and editing. Standing alone, THE HOUSE BY THE CEMETERY is still an enjoyable film, nice and mysterious with a plentiful smattering of gore, but compared to his earlier works it appears as a confused, sometimes boring mess. As one other reviewer has said, the film is "trivial" in comparison to his zombie epics and seems more akin to one of the much-despised slasher movies filling the screens from the period.Things start well with an atmospheric Gothic music score playing over the credits (sadly its only used later for the ending credits). The typical blonde bimbo and her dumb boyfriend are seen making love in abandoned house, only to be imaginatively killed (the girl gets a huge old knife shoved right through her skull!). We're introduced to the main bunch of characters, who this time aren't up to Fulci's standard. At least the obligatory Fulci cameo is in there, right at the beginning too. The male lead is played by Paolo Malco, who is no Christopher George, David Warbeck, or even Ian McCulloch.Instead, he's a boringly studious type who spends all of his time hanging out in the library instead of with his wife and child. Thankfully that wife is played by Catriona MacColl, who was so good as the lead in THE BEYOND. Although her role and acting aren't as accomplished in this movie, her presence does certainly lift things a bit. The family is rounded out by Giovanni Frezza as "Bob", the blond-haired nuisance of a son. Frezza joins the troupe of weird-looking Italian child actors and his presence is a most irritating one in the film. Other familiar faces like those of Carlo de Mejo and John Olson pop up occasionally but the film is mainly centred around the three family members.Things move very slowly at first, although Fulci does take pains to build up the atmosphere in the spooky house by having some creepy music and lots of shadows. There's a surreal scene where a shop mannikin's head is chopped off and Bob befriends a young girl who turns out to be the ghost child of the killer (as you do). Eventually - at around the halfway mark - things begin to happen. The father ventures into the cellar for the first time (what took him so long?) and is attacked by an evil toy shop bat which bites open his hand. In retaliation he stabs it repeatedly with a kitchen knife which makes a right old mess everywhere! Meanwhile Fulci keeps things moving by throwing in a grisly tracking shot of some splattery body parts, while the family's estate agent (played by giallo starlet Dagmar Lassander) arrives to find that nobody's home and gets stabbed by Dr Freudstein, a previous occupier who is now a zombie living in the cellar. Also killed is the weirdo housekeeper, a lady with demonic eyebrows who hangs around suspiciously and mops up a huge bloodstain without thinking to enquire where it came from in the first place! Bob ventures into the cellar to discover the housekeeper's decapitated head (and is alarmed by the film's best scare, the materialisation of two glowing yellow eyes in the dark). His mother hears his girlish screams and rescues him. Being a stupid movie character, Bob decides to go down into the cellar later on and finds himself trapped, and comes face to face with Freudstein who is now an effectively ghoulish rotting corpse (who bleeds maggots when stabbed), and who also moves extremely slowly.Well, that's the movie in a nutshell, although bear in mind that I've written about all of the action and none of the slow atmosphere-building scenes in between where little happens. The movie benefits from some excessive gore from father-and-son team Giannetto and Gino de Rossi, which is as graphic as previous Fulci masterpieces but doesn't have the same level of imagination behind it. Otherwise everything else is merely perfunctory, with forgettable dumb music (apart from the theme) and direction from Fulci which is spoiled by his need for eye closeups. If you're looking for a standard haunted house flick then this one is worth a look, and there are a lot worse, but it's no masterpiece and not up to the same level of the director's earlier work.

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